Konnor King

I got my start over a decade ago as a stagehand—pushing cases, pulling cable, and learning very quickly all aspects of this industry. Since then, I’ve built a well-rounded career in the production, festivals, and the live entertainment world.
For the past nine years, I’ve specialized in rigging, and over the last four years I’ve leaned hard into the technical side of production: lighting, video, and laser.
I have experience operating lighting, visuals, and lasers in almost all Las Vegas nightclubs, working with artists such as Dom Dolla, John Summit, and Steve Aoki—making sure drops hit just as hard visually as they do sonically.
I’ve also ran lighting at EDC Vegas for the past two years and have extensive experience operating lasers at large-scale festivals and shows, including Insomniac, Frameworks, and Relentless Beats. I’ve operated for artists such as Charlotte de Witte, 2hollis, and Jeff Mills.
It is also important to me is to help others and sharing my knowledge—continuing the cycle of mentorship that has shaped my own career. I believe strong crews make strong shows.
My all around knowledge has definitely helped me in different ways, I pride myself on clean builds, precise execution, and the ability to keep things calm when plans change—because they always do. If it makes noise , blinks, or shoots photons into the sky, I’ve probably hung it, programmed it, or fixed it five minutes before doors.